Cyanobacteria and Hübsch carry out a similar music research. Elephantine instruments that,
malformed with respect to traditional techniques and attitude, become platforms for building
dense sonic textures and structured geometric gestures over time. The amplification and
feedback as a basis for including the space that hosts the music organically into the
improvisation and sonic logics. The conditions seem to be perfect for a musical meeting that
incorporates strong primitivistic elements, as a music evoked from an underworld and only
whispered to the surface.
Artwork by Pia-Mélissa Laroche.
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